
Each day, the Police 's 185 call.
180 of them are about burglaries, slayings, colzas and snatches.
The staying 5 Begin with: `` There is something unusual in my house, can you delight send soul over to have a look? ''
For greenhorn Sergeant Lee ( Shawn Yu ), being a copper intends running downwardly criminals and preserving the jurisprudence. Wounded in a gunplay, he chance dead set his horror that he is transfered to the dubious-sounding Miscellaneous Affairs Section ( MAD ).
There, he is coupled upwardly with Inspector Wong ( Ekin Cheng ), a wearied and alcoholic veteran who explicates that MAD 's part is to reply supernatural calls.
A swimming bath caretaker names the Law about unusual noises at his work. Lee and Wong are despatch to the scene. Lee looks to get on the threshold of revealling something sinister when Wong follows the rootage of the ghastly noise-a clogged-up H2O pump.
Laying Lee down, Wong explicates MAD 's regulation figure one-There are no spectres.
For every seemingly-inexplicable phenomenon, there is a corresponding scientific and rational account.
When Lee and Wong gain a home to investigate a freakish TV that maintains turning itself off and on, the veteran fuzz straightawaily unveils the perpetrator. A man in the opposite flat is channel-surfing with a remote that is of the same marque as the Video in the rest home.
Unconvinced by Wong 's easy accounts, Lee investigates on his ain and chance himself faced by the impossible. At the swimming pool, he is stalked by the spectre of a lass who holded submerged there. At the home, he meets the spirit of an old woman who relished watching Video before she passed forth.
Faced by Lee, Wong unveils trueness mission of MAD. When members of the public call the Constabulary about unusual noises or ghostlike shadows, MAD demoes upwards and assures the plaintiffs with scientific and rational accounts. The truth must ne'er be cognise alternatively society will fall into pandemonium.
A house believer of truth and justness, Lee can not accommodate himself to MAD 's fly-by-night patterns. As he rises against the system, the immature pig recognizes that there is a grain of truth in Wong 's advice.
Easily, Lee is sucked into a cosmos of fraudulence and cover-ups. His relationship with his girlfriend May ( Fiona Xie ) suffers as MAD starts investigating a twine of flakey teenage self-destructions.
A miss is bumped to hold hung herself from a tallness of five pes.
Another missy is found to hold overwhelmed herself in a marine museum.
Impossible self-destructions. Unless, the victims were possessed.
As Lee and Wong follow the hints, they realise that something sinister is heading their fashion.
A serial murderer who was pipped by Lee before his reassignment to MAD is back-as a spectre. He is locomoting from miss to girl, leaving a sick trail of slaughter in his aftermath.
While Lee doggedly prosecutes this ancient feud, Wong holds afterthought about his drooping vocation at MAD. The veteran espouse his former wife Esther ( Stephanie Che ) and does programs to cease the force.
On Wong 's last judgement, Lee tracks the serial murderer 's wraith downwardly to a warehouse. A encounter ensues-in which cypher is relieved.
Manager 'S STATEMENT
It begined with a simple what if.
What if there are wraiths and the Laws cognise about it? Make they so state the truth or make they lie? Therein lies the assumption of Regulation # 1.
I desired a picture that researched the spectrum between black-and-white. I was interested in doing a flick that is grayish. With Regulation # 1, I was able to attain that with a storyline that was about two coppers faced by the supernatural and their subsequent battle to conciliate their unspeakable noesis with their mission to function and protect the world. In other words, to rattlingly protect the guiltless, make you say them that there is a wraith in their flat or make you lie and fault the unusual noises on a defective nargileh?
Regulation # 1 is a horror-thriller about coppers. There are no incapacitated female victims here. Alternatively, the quarry are policemen who, despite possessing guns, happen themselves at their humor ' terminal when faced by bloodthirsty graverobbers and liquors.
Regulation # 1 come about in an unidentified Asian metropolis and says the tale about two cops-a greenhorn and veteran. As the body-count rises and our two admirers bump themselves knee-deep in blood, topics of bonding, religion, valour and treachery are researched.
As good conflicts evil, the line is forced someplace between the truth and prevarications. This is no man 's land. This is greyish.
PRODUCTION Points
Shot allly in Hong Kong, K Tong 's horror-thriller Regulation # 1 took in locations around the atmospherical metropolis. Iconic landmarks such as Lingnan University, Hong Kong Piazza in Causeway Embayment, a romanticist beach-side barroom in Rebuff Embayment and a obsolete water-filtration works in Stanley which was featured in many Johnnie To movies, functioned as the US $ 2 million pic 's venues. Principal photography started in 6 Sept 2007 and endured for 19 years.
Offline post-production was finished at China Star Production Services Ltd while Cinedigit Sound Ltd dealt the audio work. Music marking was attempted in Singapore and incorporated into the movie 's concluding Dolby premix in Hong Kong. Shaw Brothers ( Hong Kong ) Ltd produced the terminal prints of Regulation # 1.
Cheque out some interesting inputs on flick here...
1. by danny yeo
2. on twitchfilm.net
3. on moviexclusive.com
4. on thoo2.net
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